I’ve been making and playing electronic music for almost a decade, and I’m still learning all the
time. Here are a few things that work for me:
Every track needs one main idea. It can be a vocal, a chord progression, a melody, or even the
groove. Once I know what the strongest element is, I try to keep the rest from competing with it.
Everything else should support it and keep the track focused.
Trends come and go very quickly. If you build your music around them, your sound can become
dated just as fast. I prefer being aware of what’s happening, taking inspiration where it feels
natural, but always making sure the final result still feels personal. That usually ages better too.
There will always be someone who mixes better, knows a lot of gears or has more technical
knowledge. What you really have is your own taste. I try to make decisions based on what feels
like me, rather than what I think I’m supposed to do.
For me, if the groove doesn’t feel right, the rest doesn’t really matter. Before adding vocals,
melodies, or any other musical elements, I want the rhythm section to already make me feel
something. For club music, the groove is everything.
I often use tracks I love as references while working. It can be for the arrangement, the groove,
the energy or even just the feeling. For me, it’s not about copying, it’s about understanding what
I like and learning from it.
Whether it is running Frau Blau's A&R, playing records at all hours or producing for the likes of Innervisions, Crosstown Rebels, Live at Robert Jonson, Kadosh' world feels like an ever-spinning record, soundtracking moments as he goes. After half a decade of constant touring…
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