Kris Baha

artist-image

About

Genres

  • Techno
  • Synth / Wave / Indus
  • Trance / Progressive

Skills

  • Anything
  • Composition
  • Performing
  • Singing
  • DJing
  • Arrangement
  • Sound Design
  • Recording
  • Studio Gear
  • Instruments
  • Mixing
  • Mastering
  • Beat-making
  • Career

Labels

  • CockTail d'Amore Music
  • Power Station
  • Pinkman
  • Bahnsteig 23
  • FLEISCH
  • BOYS NOIZE
  • ZONE
  • EMOTIONAL ESPECIAL
  • KINDCRIME
  • x-img

Worked With

  • Jensen interceptor
  • dreems
  • die orangen
  • ghosts in the machine
  • BOYS NOIZE
  • BOY HARSHER
  • HERCULES & LOVE AFFAIR
  • KONTRAVOID
  • QUAL

DAW

  • Ableton Live

Gear

  • Arp 2600
  • Arturia Minifreak
  • Dreadbox Typhon
  • Elektron Digitone
  • Fender Chroma Polaris
  • Korg Ms 20
  • Make Noise Erbe Verb
  • Make Noise Rene 2
  • Malekko Varigate 8
  • Malekko Quad Envelope

Languages

  • English

Much time has passed since the Queer Australian/Italian-Armenian, multifaceted artist, Kristian Bahoudian aka Kris Baha, swapped the parched red earth and searing midday sun of the Australian landscape for the brutalist communist-era apartment blocks and slate-grey skies of former East Berlin. Kris is now a fixture in Berlin’s club scene and has toured most of the world as a DJ & live artist with his own unique production style of cyber industrial, EBM, wave, post punk, and early ‘90s IDM mutations. Remixing some of the scene’s most notable artists such as Boy Harsher and techno pop lord Boys Noize, Kris has garnered respect and trust in the electronic music scene for the last 13 years. To respond to the current AI revolution, Kris uploads himself to the cyber ether through his latest project: GHOSTS IN THE MACHIИE

  • Member since February 2, 2024
  • Reviews
    5.0 (3)
  • Answers in 10 days
  • Answers Rate Excellent

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What users say about Kris Baha

  • s
    sammentink1@gmail.com Aug 14, 2025

    Hi Kris, many thanks for feedback! that is really helpful. And yes i agree the main riff of the track gets loopy, I will do a rearrange and see how that sounds. Great you enjoyed Halycon! I would be open to putting together an EP. Thanks for the opportunity to get some more stuff to you. I looked for your email and cannot see it here. Mine is sammentink1@gmail.com Would be cool to find out a bit more info and I can get something to you. Look forward to your reply. Cheers Sam.

  • S
    SpellxCaster Jul 4, 2024

    Great feedback. I took almost word for word notes because this is like gold to me. I feel like a lot of my mixes sound a bit muddy, and this makes sense of it. Whats weird is when i perform high I typically add quite a bit of high and mid eq and I sound better than when recorded, but for some reason I haven't applied this to my actual mixes so thank you for pointing that out. It was so cool to see you and see you talk about my music. You are such an inspiration. Im always in awe listening to your music! Thank you so much!

  • artist-image
    ontic Apr 2, 2024

    Hi Kris, Thanks for much for this. Great tips, very helpful. I've now implemented most of these in one way or another. The point about vocal and bass separation was a bit of a face palm moment and I had to go back and check that yes - for whatever reason I simply hadn't done any separation of those elements, and I'm really glad your ears picked up on it immediately. Not sure that I've necessarily got it 100% now, but I think they are now competing at least a little less. The vocal in the 'go deep' section is now more compressed (and more saturated) and EQed a little differently. The difference still isn't all that dramatic, but I'm hoping it might be enough to give the listener a sense of moving to a new section. I'd never really considered using a different amount of compression in the chorus (apart from e.g. adding distortion), so this tip alone has really lead me to think differently about this aspect of production. Thanks! I've also increased the overall amount of vocal compression across the whole track, so I'm hoping the individual words will be a little bit more consistent now. With regard to to vocal echoes, I've focused this on the two lines in the second part of the verse, e.g. at 0:36 and 0:46. I'm thinking that possibly I could be a little bolder still with some of these moves, but I'm preferring to err on the side of under-doing it rather than over-doing, at least initially. Possibly I'll become a little more confident with this over time. Once again, much appreciate your input, really feeling like this has made a difference - not just with this track, but it'll also help my understanding for future work. Cheers, Andrew.