
Kessler is a Belfast-born, Rotterdam-based sonic alchemist weaving immersive, left-field techno with gritty breaks and deep bass textures. As one half of the vision behind the Elicit record label, he crafts soundscapes that exist at the crossroads of rhythm and emotion — where dreamers and dancers alike find their refuge.
To celebrate the release of Tender Void on 3024, Kessler shares the secret weapons that fuel his studio workflow.

“Instantly adds distinct, gritty distortion - especially on bass - with tons of texture and character. Fully customisable and super intuitive to use.”

“A recent discovery and absolute game-changer. It’s a transient shaper that can do wild things.. compress and saturate the attack while adding reverb or delay to the sustain? Easy.”

“My go-to clipper. It’s perfect for taming peaks and pushing overall loudness without wrecking the mix. Couldn’t work without it now.”

“An underrated analog polysynth that punches way above its price tag. Big, lush sounds that you’ll hear all over my productions.”

“An inspiring and unpredictable beast - part FX resampler, part chaos generator. I use it to instantly add flair and movement in ways I’d never come up with otherwise”
At the forefront of immersive left-field techno, cut-throat breaks & any obscure bass infused rhythm in between, Kessler’s approach to dance music paints a vivid picture for the dreamers alike. Originally from Belfast, NI and based in Rotterdam, NL, Elicit label head Kessler’s holistic approach to rhythmical and immersive sound has cemented himself as a rising star in recent years, with hi-energy and progressive selections captivating audiences and leaving lasting impressions around the world. Realised through a number of sought-after 12″s on labels such as Shall Not Fade, Holding Hands and his own Elicit imprint. From cutting-edge techno mutations, dark and dubbed out half-time steppers, late ‘90s bassbin shaking jungle through to early 2010s post-dubstep heydays, the artist’s UK bass culture influence is definitely present, but never a constant with elements from afro-centric or latin grooves, giving him the edge.
